Showing posts with label public speaking. Show all posts
Showing posts with label public speaking. Show all posts

Sunday, April 15, 2012

Breathe and be Brilliant

By Michael Varma

“I don't like the way I sound.” is a common complaint I receive from timid toasters followed by, “And there isn’t anything I can do about.” Wrong. You can quickly and easily transform potential shame into brilliant fame when you learn how to breathe.

What Goes Up

Audiences tend to tune out talkers when they hear high-pitched voices. The sometimes schrill sound is associated with being apprehensive, anxious or afraid. There are a few infamous exceptions like Victoria Jackson, Fran Dresser, Richard Simmons and Mike Tyson who can get away with the squeak, but most listeners can only tolerate the whine in small doses.

If you rarely stand up and speak before a crowd you may feel nervous or rushed – real or self imposed – and your body will respond with a tiny squirt of adrenaline, which forces your body to take a short breaths before you speak causing your “normal” voice to turn up, high and tinny.

Must Come Down

When you harness your lung’s language you will be able to produce the tone you desire. There are many different deep breathing exercises to counter act the adrenaline and I this two-step techinque is my favorite.

1. Breath in quickly through your nose and fill your lungs for three seconds.

2. Exhale through your mouth and push up with your stomach muscles for six seconds.

I prefer this method because it can be completed in secret. I do this before I take the stage or on my way to the microphone – even when all eyes are on me. It appears that I am merely collecting my thoughts before I begin.

This simple two-step process also releases nervous energy and puts you back in command of your voice with more control, power and energy.

Yes, breathing is basic, but it’s frequently overlooked. Proper air exchange is essential for the occasional toaster or professional speaker and an easy habit to learn. Once mastered you will control the flow of oxygen naturally allowing you to breathe and be brilliant.


Your turn: What breathing techniques do you like to use and why?


Michael Varma is an award-winning instructor, professional magician, and once was excused from jury duty... by his cat. He has authored Tasteful Toasts, a series of educational puzzle books (Mental Blocks), created games (Arithmesticks), and frequently performs at the Magic Castle in Hollywood, California.

Yes, you can email Michael for a free guest pass to the Magic Castle ~ and you don’t need to subscribe to his funny and informational blog…but it would be worth it.

Saturday, May 15, 2010

American Midol

Faulty feedback causes headaches

Hearing unbridled opinions about your performance can make your head swell with pride or explode with anger. The popular TV reality show American Idol applauds judgemental comments and hard hitting evaluations of contestants singing for stardom. The golden rule of “praise in public and critique in private” has been lost to the television Gods and, unfortunately, millions of viewers are learning by bad examples how to give proper feedback.

Negative Feedback

Melodramic and sarcastic comments may play well on the boob tube and for studio audiences, but making personal attacks leads to tears and potential stalkers. Using nasty words only encourages a “potty mouth” response, which in turn promotes a verbal or physical confrontation. Then everyone will need some Tylenol.

Conversational conflicts hurt feelings and relationships – even when said with the best of intentions.

Constructive Feedback

Candid critiques are very important and can have a positive long term effect when presented with genuine praise.

1. Share something you liked about their performance and mean it.

2. Critique a specific behavoir and breifly tell how it affected you.

3. Suggest a solution describing the outcome you envision by this new action.

Keep criticism concise and treat the person with dignity. Additional discussions seeking clarification “Help me understand; your goal was…” and confirm understanding “So, what you’re saying is…” will successfully complete the feedback circuit.

Giving effective evaluations can be as tricky as removing the childproof cap on an aspirin bottle. But with a little practice and perspective, your critiques will keep them coming back for more.


Michael Varma is a freelance writer, award-winning presenter, and professional magician. To learn more, visit www.MichaelVarma.com. Contact Michael Varma, the author of Tasteful Toasts, for permission to reprint this article. Copyright May 2010 Magical Concepts.

Wednesday, July 15, 2009

Acapella Amplified

Managing a microphone is all about location

Unless you’re a karaoke king or decibel diva, using a microphone effectively takes a little practice. Gone are the days of yowling like a hepcat because today’s technology can amplify your normal speaking voice. But proper placement of the mic is key.

Location, Location, Location
Imagine your microphone is a flashlight shining a V-shaped light toward your face. This area is known as the hot zone. Your voice is best amplified when you talk over or across, not directly into, this region. Speaking down the shaft of light, known as “crowding the mic,” may distort and garble your words. Some folks overcompensate positioning the microphone too far away and sounding distant. Others place the mic too close to their mouths creating a cold spot – when they turn their heads, words are completely lost to the audience. You might feel a little like Goldilocks testing what’s too hot and too cold until you settle on a position that is just right. Most wireless microphones can be held about a six inches away from the mouth for best clarity.


Dress for Success
Both wired and wireless clip-on lavaliere microphones require presenters to consider microphone-friendly clothing. Buttons, jewelry and long hair can rub or tap against the microphone’s head causing distracting noises. A scarf, loose tie or billowing blouse may rustle softly and will be picked up, amplified and transmitted throughout the room – I hope corduroy doesn’t come back in style. Most lavalieres require a transmitter to be clipped onto a belt or slid into a pocket. Wear the appropriate attire and accessories to minimize any unwanted commotion.

Testing: 1, 2, 3
You’ll quickly realize the microphone is your friend, allowing you to speak softly and carry a big message. Whether you’re a newly published author out on your first press junket or giving a tasteful toast at a party, always arrive a little early and take the equipment out on a test drive. Rehearse what you’re going to say using the microphone. Pray that the audiovisual kid in school grew up to be a technician and is available to assist you with your sound check. Experiment with your vocal variety, pitch and rhythm while someone moves around the room to gauge how well your voice can be heard.

A microphone is an excellent tool to help you engage a large audience. Find the proper placement for the equipment and a bit of time to practice and you’ll be ready for a recording contract.



Michael Varma is a freelance writer, award-winning presenter and professional magician. To learn more, visit http://www.michaelvarma.com/.


Contact Michael Varma, the author of Tasteful Toasts, for permission to reprint this article. Copyright July 2009 Magical Concepts.

Thursday, May 15, 2008

How to Create an Intro with a Crescendo

“This guy who’s coming to the podium – you gotta keep your eye on him. He’ll make your wallet disappear. Please welcome Michael Varma.” Yes, a true Hall of Shame introduction I received years ago. It was horrendous on so many levels. It made me sound like a pick-pocket, but it gets worse. I was speaking before local businessmen asking for donations to fund Friends of the Garden – a nonprofit project for elementary school children to learn how to grow a vegetable garden.

My introducer neglected to explain I was a professional magician and that he was excited to meet me. He told me a story backstage of how another magician, about 10 years ago, magically stole his wallet as part of a comedy routine. His incomplete reminiscence at the lectern effectively killed my credibility. I had to take valuable time away from my original purpose to clarify his comments, then suitably re-introduce myself.

PROPER INTRO
A more fitting introduction for this month’s blog topic would be, “Ladies and gentlemen, our next guest is a professional entertainer and keynote speaker who over the last 25 years has performed and witnessed introductions ranging from spectacular to shocking. He will tell us how to avoid the Hall of Shame and provide an exclusive look into the secrets of giving an inspiring and dynamic introduction. Please welcome to the stage . . .”

Interested to know the speaker’s name? Curious about what secrets will be revealed? Then my 30-second intro did a good job. It was successful because it contained the three Cs of a quality introduction: content, context, and credibility.

1. CONTENT
A brief succinct sentence describing what you plan to talk about establishes a connection with the audience. Include an interesting and attention grabbing fact to pique your audience’s interest for the next C: context.

2. CONTEXT
Explaining why the topic is timely or important to the listeners will help solidify the bond between the speaker and listeners. This persuasive sentence grants the presenter full access to engage each participant, putting you exactly where you want to be.

3. CREDIBILITY
People want to learn from experts. A medical student wants to learn from an experienced successful doctor, not the Maytag repairman. A concise sentence stating your credentials is sufficient.

Occasionally I’m asked, “But what if the speaker has several degrees and awards?” Best recommendation: pick only two or three. Select the pertinent accolades for the subject matter and match it to the audience because in most cases less is more.

Limiting each component (content, context, and credibility) to one sentence provides the perfect length intro of 30 to 60 seconds.

FORMAT
For basic introductions, keeping the Cs in order (1-2-3) creates a crescendo before announcing the performer’s name, which is the natural cue to step up to the microphone. Ultimately, the type of event and the emcee’s level of experience will dictate the order of the three Cs.

I like the 3-2-1 format for wedding and anniversary parties. You may ask, “If it’s, like, so obvious you’re at a wedding reception, is it still necessary to cover the content, context and credibility?”

Yes, for several reasons. It notifies the audience and speaker what’s next on the agenda, provides a natural segue, and best of all, it takes less than ten seconds to say one sentence. For example: “The best man, Stephen Varma, the groom’s brother, will say a few words and lead the guests in a toast to the newlyweds.” Non-family members and their guests will know the who, what, where, when, and why – Matt Lauer would be so proud.

REALITY CHECK
Books on party protocol preach that the master of ceremonies will contact the performer and find out the following information: the speaker’s name and correct pronunciation (spelled phonetically if necessary), the speaker’s title (CEO, CFO, President, etc), the speaker’s bona fides (Mr., Ms., Dr., PhD, etc.) and the title of the speech.

In truth, I’ve rarely received any such call. Waiting for the phone to ring can lead to disaster. I submit into evidence another one of my Hall of Shame introductions.

“H-e-e-r-e’s Michael!” While I appreciate being raised to the legendary ranks of Letterman, Leno, Carson and other one-name icons, it was an inappropriate introduction for a group of elementary school children waiting to learn about earthquake safety. If kids know these late night talk show hosts then we have an explanation for the country’s dismal test scores.

ESSENTIALS
Most professional presenters, myself included, know the power of a proper introduction. A careless, haphazard, off-the-cuff intro can destroy the immediate connection needed to engage your audience. So, instead of waiting for a nonexistent phone call from the person who might introduce me, I actively do the following:

· Create a well-crafted introduction printed in a large 24 point font (for easy reading)
· E-mail or fax copies in advance to the contact person
· Arrive early and locate the person making the introductions
· Provide another copy of the intro and have it read out loud until we’re both satisfied

If you follow the three Cs of a quality introduction – content, context, and credibility – and learn from my experience, you’ll avoid the Hall of Shame and guarantee yourself a warm welcome from your audience.


Until next time,

Michael


Copyright April 2008 Magical Concepts
Contact the author for permission to reprint
 
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